You can tell this is a year for studying Luke because Gabriel does not appear in Matthew. He does appear in Luke and he makes me nervous. Let’s consider the question of gender equity. Gabriel appears before Zechariah, the priest, and future father of John the Baptist. Raymond E. Brown, my source for all this,[1] calls him JBap and over the years I have come to like that. Gabriel said to Zechariah, “Your wife, Elizabeth, will bear you a son.” Zechariah replied, “How can I know this? I am old and my wife is getting on in years.”
We see immediately that Zechariah has been a successfully married man for a long time. If we knew no more than that he says he is “old,” but Elizabeth is only “getting on in years,” we would know that he has been married for a long time. What a classy guy! But Gabriel is not amused. “Since you did not believe my words…you will be silenced…until this has happened.” Gabriel is deeply offended, apparently. No reason, I suppose why an old man can’t impregnate the elderly and nulliparous old woman he has disappointed all these years. Still, this is God’s messenger and Zechariah really ought to have kept his incredulity to himself. And so, we would think, should Mary.
Gabriel continues on his rounds and stops next at the home of Mary’s parents, in Nazareth, which is where they live in the Lucan account. Gabriel says, “You are to conceive in your womb and bear a son.” Mary says, “How can this come about since I have no knowledge of man?”[2] Now to the casual observer, Zechariah’s response and Mary’s response are substantially similar. But Gabriel’s response to the two is not similar at all. Zechariah gets to be deaf and mute. Mary gets a son who “will rule over the House of Jacob forever.”
Being a little playful in the title, I raised the question of gender equity. But even without being playful, there is the question is what Zechariah did wrong that Mary did not do wrong. And if they did the same thing wrong, why was only one punished?
This post is not an attempt to answer that question. It is, rather, an attempt to say why it is not a very good question. It is based on a naïve view of how the scripture is to be read and understood. I will also suggest another way to understand it—following Brown—which gives a great deal of clarity about Luke, as a writer but not much at all about Gabriel, Zechariah, and Mary. I find it very satisfying intellectually but at the end, I remain just a little wistful that the question I began asking of this passage when I was a boy, is not really going to get answered.
The new question, a question much better adapted to the text and the Luke’s choices as the teller of this story, is this: Why did Luke handle the Zechariah story one way and the Mary story another way? The short answer is that these episodes are set in different backgrounds stories—Zechariah in Daniel and Mary in I Samuel. Luke tweaked each of them so he could both tell his story and evoke the echoes of other more familiar stories.
Luke is using the appearance of Gabriel to Daniel as the template for the appearance to Zechariah. The list of commonalities between the two is formidable. Both are called “visions;” Gabriel appears in both at the time of liturgical prayer; the visionary in both has offered a prayer in distress; both react to Gabriel with fear; and the visionary, in both cases, is struck mute. “By these echoes,” says Brown, “Luke is giving a new application to a common Christian reflection in which such Gospel motifs as the Son of Man and the Kingdom of God were related to Daniel 7:12—14.”
If we begin with Luke as the artist, this explanation accounts for why Zechariah was made mute. It is because Daniel was made mute and Luke wants his hearers to notice the background and feel some of the weight it gives to the gospel.
And the explanation for Gabriel’s response to Mary? The same, in a way. Luke builds the annunciation to Mary on Hannah’s canticle in I Samuel 2. Hannah prayed to God “in the bitterness of her soul.” Thereafter, she bore a son to her husband, Elkanah, and dedicated the son to temple service, as she had promised she would. Hannah’s prayer of thanksgiving is a long one (see verses 1—10.), but even the beginning strikes students of Jesus’ life as familiar.
My heart exults in Yahweh
In my God is my strength
lifted up
My mouth derides my foes
For I rejoice in your deliverance
And there are six more stanzas like that, all of which serve as a canvas on which Luke can paint the Magnificat. So Mary was not rebuked because Hannah was not rebuked and Luke wants the hearers of the Magnificat to hear it as an echo of Hannah’s song.
I think that is a very satisfying solution to the reason Zechariah put himself in harm’s way by asking the same question Mary asked safely. It begins with a much better question than the one that troubled me as a boy and to this new question, there is a good answer. Luke is placing his new material within old and meaningful traditions.
[1] Raymond E. Brown, The Birth of the Messiah: A Commentary on the Infancy Narratives in Matthew and Luke. New York: Doubleday, 1977.
[2] This is a shame, because men aren’t really that complicated. Patrick Jayne, on an episode of The Mentalist, compared men (in their relative complexity) to toasters. It’s almost easier to see Mary with Zechariah than with Joseph, particularly since Joseph doesn’t have a single line of dialogue in Luke’s account.
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